Linda LeGarde Grover: On resilience and loss.

BY LINDA LeGARDE GROVER The story began for me when I was a child, too young to question but old enough to see, hear, and remember. Adults conversing over tea occasionally forgot that there were children present and alluded to loss: to Indian boarding schools; to runaways and the foster home system; to inexperienced girls … More Linda LeGarde Grover: On resilience and loss.

The Big Surreal

BY JOANNA FRUEH Surrealism is an art and literary movement in the early twentieth century. Its best-known work is a painting by Salvador Dali, The Persistence of Memory, in which clocks look like they’re melting in a bleak and blank terrain. In Surrealist painting, distortions of everyday reality, in scale, shape, and space give surreal … More The Big Surreal

On humanity, videogames, and resisting operationalized logic.

BY TIMOTHY WELSHLoyola University, New Orleans In October 2018, just prior to the November midterm elections, Twitter banned close to 1,500 accounts that all featured the same gray, expressionless cartoon avatar. “NPC,” a version of the Wojack or Feels Guy reaction image, is a meme generated by the right-wing internet as a representation of liberals. … More On humanity, videogames, and resisting operationalized logic.

Fashioning Feminism: On Bodies of Information.

BY ELIZABETH LOSHWilliam & Mary What does a bulletproof dress prototype have to do with the digital humanities? A lot actually, according to artist micha cárdenas. Such a garment, which was crafted from Kevlar airbags scavenged from a junkyard, could be capable of stopping a 9mm bullet. It’s one of the objects featured in the … More Fashioning Feminism: On Bodies of Information.

Frankenstein and anonymous authorship in eighteenth-century Britain.

BY MARK VARESCHIUniversity of Wisconsin–Madison Having celebrated its 200th anniversary in 2018, Mary Shelley’s Frankenstein is perhaps one of the most well-known novels of the early nineteenth century. While many are familiar with Shelley’s classic novel and can immediately picture some version of the work’s iconic monster, few are aware that when Frankenstein was first … More Frankenstein and anonymous authorship in eighteenth-century Britain.