What would an environmentalism that engages with the contemporary realities of migration look like? John Hultgren exposes connections between anti-immigrant politics and environmentalism.

The U.S.-Mexico border at California and Tijuana, Baja California, Mexico.Here, author John Hultgren asks: What would an environmentalism look likethat engages with the contemporary realities of migration?Image via Creative Commons. BY JOHN HULTGRENLecturer in the Department of Politics and International Affairs at Northern Arizona University What do Donald Trump, Canadian environmental activist David Suzuki, and … More What would an environmentalism that engages with the contemporary realities of migration look like? John Hultgren exposes connections between anti-immigrant politics and environmentalism.

Thinking In Equality: On Laruelle’s Democracy of Thought

BY JOHN Ó MAOILEARCAProfessor of film studies at Kingston University, London Equality and inequality are fast becoming commonplace themes, given our straitened times and recent efforts to uncover not only the vast social inequities around us but also the origins of such inequality. One could wax on about the unequal distribution of monetary wealth, or … More Thinking In Equality: On Laruelle’s Democracy of Thought

Fractured Media Materialities: On Geology of Media

BY JUSSI PARIKKAWinchester School of Art, University of Southampton Fracking is a controversial process of forcing the ground open in order to extract gas and oil. The process has had its deserved amount of critique because of the environmental hazards it poses and how such rather desperate means of fossil energy extraction are continuing the … More Fractured Media Materialities: On Geology of Media

#UPWeek: Writing the Continuous Book.

This post is published on the occasion of University Press Week, in which about 30 university presses have published posts on five significant topics: collaboration; your Press in pictures; connections with popular culture; a throwback look at an influential project or series; or #FollowFriday, today’s topic on university presses and social media. Find more details … More #UPWeek: Writing the Continuous Book.

Return to the Enchanted Forest: ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’

Writer Haruki Murakami. BY MATTHEW C. STRECHER, PH.D.Professor of Japanese language, literature, and culture at Winona State University In just a couple of days, the English translation of Haruki Murakami’s most recent novel, Shikisai o motanai Tazaki Tsukuru to, kare no junrei no toshi will be released (aka Colorless Tsukuru Tazaki and His Years of … More Return to the Enchanted Forest: ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’

Sexuality in school: LGBT issues are not the exclusive concern of LGBT students.

BY JEN GILBERTAssociate professor in the Faculty of Education at York University, Toronto When lesbian, gay, bisexual, and transgender issues emerge in schools, it is often as controversy. Battles over sex education, worries about young children reading picture books about same-sex families, outrage at boys taking boys to the prom, lawsuits over gay-straight alliances, and … More Sexuality in school: LGBT issues are not the exclusive concern of LGBT students.

Reflections on Jacques Derrida, born on this day in 1930.

BY CARY WOLFEFounding editor, Posthumanities Series at University of Minnesota Press On this occasion of what would have been Jacques Derrida’s 84th birthday, it is worth reflecting once more on the resonance of his work for our own moment—a resonance that depends not only on his own remarkable body of writings, of course, but also … More Reflections on Jacques Derrida, born on this day in 1930.

Who cares if you look? Participatory art and the act of interpretation. (Part III of III)

Portrait of Tristan Tzara, 1927. Participatory aestheticsloom large in Tzara’s infamous “Dada Poem” from the “1918 Manifesto.” Part IPart II—BY TODD CRONANEmory University Consider, finally, the case of Dada more generally. Tristan Tzara, for instance, another presumed progenitor of participatory aesthetics, in his 1916 “Note for the Bourgeois” describes “a poem based on new principles.” … More Who cares if you look? Participatory art and the act of interpretation. (Part III of III)

Who cares if you look? On the artist and the spectator. (Part II of III)

The Bride Stripped Bare by Her Bachelors, Even, Marcel Duchamp.Duchamp famously declared that the artist decided what was art, not the public. BY TODD CRONANEmory University <!– /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; … More Who cares if you look? On the artist and the spectator. (Part II of III)