BY LORNA LANDVIK
One of my first editors was a woman named Leona Never, who while reading through slush pile submissions back in the ’50s came across a manuscript she insisted her boss not only read, but publish, pronto. It was Peyton Place.
Leona was old-school and managed to rise up in the sexist women-are-secretaries-men-are-bosses era to become a real force in the publishing world. I met her in 1996, when Ballantine was publishing the paperback of Patty Jane’s House of Curl. She had a whispery voice and in the years we worked together, she’d tell me, “You write a different book every time.” I took it as a compliment—I think she meant it as a compliment. While I think I have a certain voice, I never wanted to tell the same story over and over.
By the time I write The End, it usually is. I’ve resolved problems, tied up loose ends, and humbly thanked my characters for coming into my head and letting me tell their story. I feel both a sense of relief (whew—I did it!) and a zip of excitement, because finishing one novel means I can begin another, with a cast of characters (usually two or three) who’ve shown up and are impatiently chewing gum and practicing swings in my mental batter’s box, waiting for their turn to be called up and play.
And yet . . . I am surprised by random whispers I hear from characters in my past books. A song can come on the car radio and it reminds me of Slip; the looming height of a spruce tree can make me think of Fenny; a particularly starry night brings Fletcher to mind.
Throughout the years, characters in Patty Jane’s House of Curl would pop up in my head (and for a while I’d almost expect to see the fictitious beauty salon on the real street I set it on!), but several years ago, the occasional whispers grew into a yammering—that is, the characters yammering “We want more of our story told!”
And so, I dove back into their world to find out what’s what and who’s who and who’s doing what to whom. And why. And where. And how.
It was so fun. I knew fairly quickly the big life-changing event that Nora was going to experience, but I didn’t know I’d go to 1920s Norway to learn more about Ione. New characters appeared, demanding to be woven into the story, some playing big parts, some happy with walk-ons.
Welcome to the Once in a Blue Moon Lodge. I hope you enjoy reading it as much as I enjoyed writing it.
A launch event is scheduled for 7 p.m. on Tuesday, April 18, in Excelsior, Minnesota (hosted by Excelsior Bay Books). Register here.
Lorna Landvik is the author of eleven novels including the best-selling Patty Jane’s House of Curl, Angry Housewives Eating BonBons, Oh My Stars, Best to Laugh (Minnesota, 2014), and coming in April, Once in a Blue Moon Lodge. She has performed stand-up and improvisational comedy around the country and is also a public speaker, playwright, and actor who gets much pleasure from mixing up margaritas on stage in her one-woman all-improvised show, Party in the Rec Room.
“At long last! Patty Jane and her irresistible band of big-hearted merry-makers return to us. Lorna Landvik’s humor is wrapped around a core of love, common sense, and good cooking. Pull up an easy chair, pour a glass of wine, and enjoy this grand family reunion.”
—Faith Sullivan, author of Good Night, Mr. Wodehouse
“Lorna Landvik creates characters and places so warm and real that reading Once in a Blue Moon Lodge feels like coming home (if you’re lucky enough to be surrounded by people and places as weird and wonderful as Lorna’s—I think I am).”
—Nora McInerny, author of It’s Okay to Laugh (Crying Is Cool Too)
“There is a charm and warmth to this hopeful tale in which love is the glue that holds people together. Landvik’s love for her characters is evident.”