René Magritte’s Selected Writings: On Jane Graverol

Jane Graverol’s Le Cortège d’Orpheé. BY KATHLEEN ROONEY Though the artist René Magritte (1898–1967) wrote extensively throughout his life and career—from aspirations of being a detective novelist to crafting genre-jumping essays, prose poems, lectures, reviews, and more—it’s hard to say why exactly it has taken so long for Magritte’s writings to become available in English. His Ecrits … More René Magritte’s Selected Writings: On Jane Graverol

Fractured Media Materialities: On Geology of Media

BY JUSSI PARIKKAWinchester School of Art, University of Southampton Fracking is a controversial process of forcing the ground open in order to extract gas and oil. The process has had its deserved amount of critique because of the environmental hazards it poses and how such rather desperate means of fossil energy extraction are continuing the … More Fractured Media Materialities: On Geology of Media

25 years of Hubble images from space: strange, alien, phenomenal—and yet somehow, familiar.

This image created by the Hubble Space Telescopeis often referred to as the “Pillars of Creation.” It hasbeen a common subject for painters such as Thomas Moran. BY ELIZABETH A. KESSLERStanford University On April 24, 1990, NASA launched the Hubble Space Telescope into its orbit above Earth. During its 25 years in space, astronomers have … More 25 years of Hubble images from space: strange, alien, phenomenal—and yet somehow, familiar.

The effect of Civil Rights photobooks in transforming the social consciousness of young people

Children sit together on a tree limb in an uncredited Seventh-Day Adventist image. From Louis B. Reynolds and Charles L. Paddock, Little Journeys into Storyland: Stories That Will Live and Lift (Nashville: Southern Publishing Association, 1947). BY KATHARINE CAPSHAWAssociate professor of English at the University of Connecticut 2015 marks the 50th anniversary of the Voting … More The effect of Civil Rights photobooks in transforming the social consciousness of young people

The continuing influence of the Mexico ’68 Olympics brand

Lance Wyman, designer, Mexico ’68 logo, 1968 BY LUIS M. CASTAÑEDAAssistant professor of art history at Syracuse University A recent analysis of financial data provided by the International Olympic Committee (IOC) attempted to quantify how much the Olympic brand is worth today. The analysis, in many ways a problematic one, found it to be worth … More The continuing influence of the Mexico ’68 Olympics brand

From corsets to commerce: A two-part look at European and American fashion in the nineteenth century.

The extraordinary color and variety of textiles in this afternoondress, ca. 1872, attest of the refinement of the French textileindustry. Creator: Charles Frederick Worth. This image is postedunder terms of ARTstor. Fashion, clothes, and culture BY CRISTINA GIORCELLIProfessor of American Literature at the University of Rome Three <!– Habits of Being I dealt with the … More From corsets to commerce: A two-part look at European and American fashion in the nineteenth century.

Who cares if you look? Participatory art and the act of interpretation. (Part III of III)

Portrait of Tristan Tzara, 1927. Participatory aestheticsloom large in Tzara’s infamous “Dada Poem” from the “1918 Manifesto.” Part IPart II—BY TODD CRONANEmory University Consider, finally, the case of Dada more generally. Tristan Tzara, for instance, another presumed progenitor of participatory aesthetics, in his 1916 “Note for the Bourgeois” describes “a poem based on new principles.” … More Who cares if you look? Participatory art and the act of interpretation. (Part III of III)

Who cares if you look? On the artist and the spectator. (Part II of III)

The Bride Stripped Bare by Her Bachelors, Even, Marcel Duchamp.Duchamp famously declared that the artist decided what was art, not the public. BY TODD CRONANEmory University <!– /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; … More Who cares if you look? On the artist and the spectator. (Part II of III)

Who cares if you look? On internal and external relationships with art. (Part I of III)

Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership. —Lawrence Weiner, “Declaration of Intent” (1968) Shepard Fairey’s OBEY sticker craze captures the core terms of any viewer-driven aesthetic. BY TODD CRONANEmory University “The OBEY sticker attempts to stimulate curiosity … More Who cares if you look? On internal and external relationships with art. (Part I of III)

Olympic architecture and a lost opportunity in Sochi

Fireworks over the Fisht Olympic Stadium in Sochi, Russia, during the 2014 Winter Olympics. BY KATHLEEN JAMES-CHAKRABORTYProfessor of art history at University College Dublin After last week’s closing ceremony of the Sochi Winter Olympics, many of the athletic performances will be remembered for a long time; not so the architecture. The Winter Olympics seldom produce … More Olympic architecture and a lost opportunity in Sochi